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| DC Field | Value | Language |
|---|---|---|
| dc.creator | Nagy, Gregory | - |
| dc.date | 2019-09-13T14:18:52Z | - |
| dc.date | 2018-11-09 | - |
| dc.date | 2019-09-13T14:18:52Z | - |
| dc.date.accessioned | 2023-04-11T11:09:32Z | - |
| dc.date.available | 2023-04-11T11:09:32Z | - |
| dc.identifier | Nagy, Gregory. 2018.11.09. "Poetry Incarnate: Puccini’s Mimì as metonymy and metaphor combined." Classical Inquiries. http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries. | - |
| dc.identifier | http://nrs.harvard.edu/urn-3:HUL.InstRepos:41364284 | - |
| dc.identifier.uri | http://lib.yhn.edu.vn/handle/YHN/547 | - |
| dc.description | This essay is linked with a lengthy book I published in 2015, Masterpieces of Metonymy. There I argued that metonymy and metaphor, as they are known in verbal art, are analogous respectively to horizontal and vertical threading in the art of weaving. Taking a broader point of view here, I will argue that the art of fabric work in general can be represented as an interaction of metonymy and metaphor. Such a representation comes to life, I think, in the story of Puccini’s opera La Bohème. Here a woman named Mimì, a fabric worker, is pictured as the incarnation of poetry. This picturing, I further think, is expressed by way of metonymy and metaphor combined. | - |
| dc.description | The Classics | - |
| dc.description | Version of Record | - |
| dc.format | application/pdf | - |
| dc.language | en_US | - |
| dc.publisher | Harvard University, Center for Hellenic Studies | - |
| dc.relation | Classical Inquiries | - |
| dc.relation | https://classical-inquiries.chs.harvard.edu/poetry-incarnate-puccinis-mimi-as-metonymy-and-metaphor-combined/ | - |
| dc.relation | Classical Inquiries | - |
| dc.title | Poetry Incarnate: Puccini’s Mimì as metonymy and metaphor combined | - |
| dc.type | Journal Article | - |
| Appears in Collections | Tài liệu ngoại văn | |
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