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dc.creatorNagy, Gregory-
dc.date2021-01-14T15:16:58Z-
dc.date2020-11-13-
dc.date2021-01-14T15:16:58Z-
dc.date.accessioned2023-04-11T11:03:09Z-
dc.date.available2023-04-11T11:03:09Z-
dc.identifierNagy, Gregory. 2020.11.13. "Some narrowings and some widenings of perspectives for viewing the reception of Sappho in the ancient world." Classical Inquiries. http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries.-
dc.identifierhttps://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37366729-
dc.identifier.urihttp://lib.yhn.edu.vn/handle/YHN/470-
dc.descriptionFor an illustration that is most relevant to what I have to say in this essay, I show a line-drawing of a close-up from a vase painting by the Meidias Painter, whose artistic career, in Athens, can be dated to the late fifth century BCE. In this close-up, we see the picturing of a lady named Eurynoe (ΕΥΡΥΝΟΗ), who is playfully teasing a pet bird. As I noted in a previous essay, Nagy 2020.10.30, which I link here to the present essay, such a picturing may possibly be traced back to a comparable scene that is pictured in a now-lost song of Sappho. Such a possibility, however, depends on both a widening and a narrowing of perspectives, as I note in the title of this essay, for viewing the reception of Sappho in the ancient world.-
dc.descriptionThe Classics-
dc.descriptionVersion of Record-
dc.formatapplication/pdf-
dc.languageen_US-
dc.publisherHarvard University, Center for Hellenic Studies-
dc.relationClassical Inquiries-
dc.relationhttps://classical-inquiries.chs.harvard.edu/some-narrowings-and-some-widenings-of-perspectives-for-viewing-the-reception-of-sappho-in-the-ancient-world/-
dc.relationClassical Inquiries-
dc.titleSome narrowings and some widenings of perspectives for viewing the reception of Sappho in the ancient world-
dc.typeJournal Article-
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