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| DC Field | Value | Language |
|---|---|---|
| dc.contributor | Lopez-Pineiro, Sergio | - |
| dc.creator | Wong, Jacqueline Huey Yean | - |
| dc.date | 2023-01-06T04:09:50Z | - |
| dc.date | 2023 | - |
| dc.date | 2023-01-05 | - |
| dc.date | 2023-05 | - |
| dc.date | 2023-01-06T04:09:50Z | - |
| dc.date.accessioned | 2023-04-11T09:42:21Z | - |
| dc.date.available | 2023-04-11T09:42:21Z | - |
| dc.identifier | Wong, Jacqueline Huey Yean. 2022. An Intrinsic Model for a Non-neutral, Plural National School. Master's thesis, Harvard Graduate School of Design. | - |
| dc.identifier | 30244732 | - |
| dc.identifier | https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37373972 | - |
| dc.identifier.uri | http://lib.yhn.edu.vn/handle/YHN/344 | - |
| dc.description | When Malaysia gained independence from the British in 1957, it took on a national architectural identity that was rooted in the language and neutrality of tropical modernism, which was deemed appropriate for the multi-ethnic Malaysian society. At the turn of the century, the government of Malaysia built a new capital city, Putrajaya: a singular ethnocentric construction, modeled after architectural forms of the Arab nations, that elevates Malay-Muslim identity above others in the plural nation. As opposed to the homogeneous, imposed ethnocentrism of Putrajaya, the former capital city of Kuala Lumpur embodies a hybridized, heterogeneous accumulation of multiple identities and differences. If Putrajaya represents an extrinsic model that outwardly exhibits a Malay-Muslim identity by reproducing the architectural forms of Arab nations and turning them into consumable artifacts, Kuala Lumpur represents an intrinsic model of a contested city where confrontations and accumulation of differences produce new hybridized conditions in a constant state of flux. In its search for a national identity, the Malaysian state has oscillated between two extremes: a singular ethnocentric iconography on the one hand and a flattening neutral modernism on the other. This thesis asserts the relevance of iconography in producing an architectural identity in the context of a plural society. It draws on the found conditions of Kuala Lumpur to propose the intrinsic model as a technique which calls upon culturally diverse referents to produce an inclusive and plural national architectural identity. This technique is investigated against the program of the Malaysian national school: a pervasive and relentlessly banal modernist typology that serves an ethnically diverse populace but is neutralized by prescriptive government pre-approved plans and generic facades. This thesis proposes an intrinsic model for a non-neutral, plural national school. | - |
| dc.format | application/pdf | - |
| dc.format | application/pdf | - |
| dc.language | en | - |
| dc.subject | Ethnography | - |
| dc.subject | Iconography | - |
| dc.subject | Malaysia | - |
| dc.subject | National Identity | - |
| dc.subject | Pluralism | - |
| dc.subject | Postcolonial | - |
| dc.subject | Architecture | - |
| dc.subject | Southeast Asian studies | - |
| dc.subject | Education | - |
| dc.title | An Intrinsic Model for a Non-neutral, Plural National School | - |
| dc.type | Thesis or Dissertation | - |
| dc.type | text | - |
| Appears in Collections | Tài liệu ngoại văn | |
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